青年艺术家｜韩国檀国大学余晖博士陶艺毕业展

1,能否谈谈这次毕业展作品的创作观念？

Can you talk about the concept of the works in this graduation exhibition?

이번 졸업 작품의 창작 관념에 관해 설명해줄 수 있을까요?

我出生在景德镇，从小看着街道上有专门为运送陶瓷而设计的木制推车，街边有色彩繁多的釉料店，身边的朋友也大多从事陶瓷相关的行业。我的生命早就和陶瓷融在一起，所以我把自己看作是景德镇的一块土，泥土是我的身份标识。

我的创作灵感来自陶艺家的手对泥土所做的动作，不同的动作会对泥土造成不同的影响，平凡的泥土通过艺术家的手，好像获得了生命和力量。我用陶瓷材料表现动作，感受动作给泥土造成的变化，也感受陶瓷文化在我身上造成的变化。这些动作里有我的故事，也有所有陶艺家的故事。

I was born in Jingdezhen. Since I was a child, I have seen wooden carts specially designed for transporting ceramics on the street, there are many glaze shops along the street, and most of my friends are engaged in ceramic arts or industries. My life has been fused with ceramics for a long time, so I regard myself as a piece of clay of Jingdezhen. Clay is my identity.

I was inspired by the movements of how artists do all kinds of movements on clay. Different movements have different effects on the it. It seems that clay gains life and power through the hands of artists. I use ceramics to express different verbs and to feel how clay changes caused by verbs, and also feel how I changed by ceramic culture. There is not only my story in those verbs, but also stories of all ceramists.

저는 경덕진에서 태어났습니다. 어렸을 때부터 도자기 운송을 위해 특별히 제작된 나무 손수레, 다양한 색채가 있는 유약 가게를 보면서 컸고, 가까운 친구들은 대부분 도자기와 관련된 직종에 종사하였습니다. 저의 생명은 일찍이 도자기와 함께 있었기 때문에, 저는 저 자신을 경덕진 한 줌의 흙이라고 생각하였고, 점토는 저의 신분을 상징하는 것으로 생각했습니다.

저의 창작에 관한 영감은 도예가의 손이 점토에 행해지는 동작에서 비롯되었습니다. 각기 다른 동작은 점토에 서로 다른 영향을 미치고, 평범한 점토는 예술가의 손을 통해 마치 생명과 힘을 얻을 수 있는 것 같았습니다. 저는 도자 재료를 활용하여 동작을 표현했고, 동작이 점토에 미치는 변화와 도자기 문화가 저에게 끼친 변화를 느꼈습니다. 이러한 동작들 속에는 제 이야기가 담겨 있을 뿐만 아니라, 모든 도예가의 이야기가 들어 있습니다.

2，您是如何表达动作的？

How do you express verbs?

동작을 어떻게 표현했는가요?

我有一个动词库，从中挑选词汇来创作。

I have a list of verbs from which I choose to do art works.

저는 동사 데이터베이스를 제작하였고, 그 중에서 어휘를 선별하여 창작하였습니다.

3，您做了哪些动词？

What verbs did you make?

어떤 동사들을 창작하였는가요?

这次选择了“扯“、”绑“、“皱“来做创作，并且每个动词都尝试了多种形态来表现。

I chose "pull", "tie" and " crumple " to do artworks this time , and I tried various forms to express each verb.

이번 작품에서는 '당기다(扯)', '감다(绑)', '구기다(皱)' 등을 선택하여 창작하였고, 이 동사들을 모두 다양한 형태로 표현하기 위한 시도를 했었습니다.

4，完成这么多关于动词的创作需要多少时间？

이렇게나 많은 동사를 창작하는 데 어느 정도의 시간이 필요한가요? 

目前我找了44个动词，也许以后会添加一些动词，也许会减少某些动词。要完成这些动词可能需要很多年的时间，因为每一个动词都有很多可能性和表现力值得去思考和探索。创作是一个和我的人生经历共同生长的过程，不知道以后会有怎样的际遇和体验，所以也不知道以后会生长出怎样的感受来表现这些动词，一切都未知。

So far, I've found 44 verbs. Maybe I'll add some verbs in future, or maybe I'll subtract some verbs. It might take many years to accomplish all these verbs, due to each verb has many possibilities and expressiveness are worth thinking about. Doing artworks is a process of growing up together with my life experience. I don't know what kind of fate and experience I will have in the future, and I don't know what kind of feeling I will have to express with these verbs in the future as well. Who knows?

현재 저는 44개 동사를 찾았고, 아마도 나중에는 일부 동사를 더 추가하거나, 배제할 수도 있습니다. 동사 하나하나마다 매우 많은 가능성과 표현력에 대해서 고민하고 탐구할 수 있기 때문에, 이러한 동사를 완성하기 위해서는 많은 시간이 필요할 것 같습니다. 창작은 저의 인생과 함께 성장해 나가는 과정이고, 미래에 어떠한 기회와 체험이 있을지 모르기 때문에, 앞으로 어떤 느낌을 받아 이 동사들을 표현할지 알 수 없습니다. 아직 모든 것은 미지수입니다.

5，为什么您的作品都是白色，您以后会加入其它颜色吗？

Why are all your works in white? Will you use other colors in the future?

제작한 작품은 모두 흰색인데, 그 이유는 무엇이고, 나중에는 다른 색채도 사용할 건가요?

因为我把造型表现的重点放在力量上，一件作品只讲一件事——关于力量的事。如果说，极简主义是在表现形式上做减法，那么在作品的叙事性上做减法是观念上的极简主义，所以，我希望我作品的每一个元素都有存在的必要性和不可替代性。对之后的作品而言，如果颜色是必须的元素，那么我会使用。但是目前《扯》、《绑》、《皱》三个系列想要叙述的事与颜色无关，所以使用了最基本的白色。

Because I put the emphasis on force, one work only tells one thing – force. If minimalism is subtraction in the form of expression, then subtraction in the narrative of artwork is minimalism in the concept. Therefore, I hope that every element of my work has the necessity of existence and irreplaceability. For later works, if color is a necessary element, I will use it. But for now, the three series Pull, Tie, and Crumple are trying to tell a story that has nothing to do with color, so I use general white.

저는 조형에 대한 표현을 힘이라는 것에 초점을 맞추었기 때문입니다. 즉, 하나의 작품은 힘에 관한 하나의 이야기를 서술하는 것입니다. 만약 미니멀리즘은 표현의 형식에서 뺄셈하는 것이면, 모든 작품의 서사성에서 뺄셈하는 것이 관념적인 면에서의 미니멀리즘이라고 할 수 있습니다. 따라서 저는 제 작품의 모든 요소에 필요성과 대체 불가능성이 존재하기를 바랍니다. 향후의 작품에 있어서 만약 색채가 필수적인 요소가 된다면 사용할 것입니다. 그러나 현재 ｢당기다(扯)｣, ｢감다(绑)｣, ｢구기다(皱)｣ 등 3개 시리즈에서 서술하고자 하는 이야기는 색채와 관련이 없기 때문에 가장 기본적인 흰색을 사용한 것입니다.

6，您只用陶瓷材料来做动词创作吗？

Do you use only ceramic materials for verbs?

동사에 대한 창작에서 도자 재료만 사용할 건가요?

我是景德镇的一块土，泥土应该会是贯穿我创作生涯的主要材料，但并不意味着只用陶瓷。以前尝试过与多媒体艺术结合做《倒》，以及与行为艺术结合做《贴》。未来可能还会使用更多样的材料和方式来表现动词，这会是一个很好玩的过程。

I am a piece of clay of Jingdezhen. Clay should be the main material throughout my career, but it doesn't mean that I only use ceramics. I have tried to combine with media art to make "Fall" and with performance art to make "Stick". In the future, there may be more materials and ways to represent verbs, which will be a fun process.

저는 경덕진의 한 줌의 흙입니다. 점토는 제 창작 생애에서 가장 중요한 재료가 될 것입니다. 그러나 도자기만 사용하겠다는 것을 의미하지는 않습니다. 이전에는 멀티미디어 아트와 결합하여 ｢쏟다(倒)｣에 대한 창작, 그리고 행위 예술과 결합하여 ｢붙이다(贴)｣에 대한 창작을 시도한 적이 있습니다. 미래에는 더욱더 다양한 재료와 방식을 통해 동사를 표현할 수도 있을 것이며, 이 과정은 상당히 흥미로울 것 같습니다.

绑-1_Tie-1_감다-1

绑-2_Tie-2_감다-2

绑-3_Tie-3_감다-3

绑-4_Tie-4_감다-4

绑-5_Tie-5_감다-5

绑-6_Tie-6_감다-6

绑-7_Tie-7_감다-7

扯-1_Pull-1_당기다-1

扯-2_Pull-2_당기다-2

扯-3_Pull-3_당기다-3

扯-4_Pull-4_당기다-4

扯-5_Pull-5_당기다-5

扯-6_Pull-6_당기다-6

扯-7_Pull-7_당기다-7

皱-1_crumple-1_구기다-1

皱-2_crumple-2_구기다-2

余晖

金赫洙

김혁수

kim Hyeog-soo

余晖与博导金赫洙教授