展讯丨第五届中国版画大展：图像的旅行 / 版画与出版艺术文献展

第五届中国版画大展

THE 5th CHINESE PRINTMAKING EXHIBITION

图像的旅行/

版画与出版艺术文献展

The Journey of Image /

Printmaking and Publishing  Art Documengtary Exhibition

策展人 Curator：

盛葳 Sheng Wei

康剑飞 Kang Jianfei

展览时间 Exhibition Dates：

2022.12.31-2023.02.13

展览地点 Exhibition Place：

中国版画博物馆3号展厅

Exhibition Hall 3, China Printmaking Museum

主办单位 Organizer：

湖南美术出版社

Hunan Fine Arts Publishing House

中国版画博物馆

China Printmaking Museum

承办单位 Contractor：

文奇首艺 VINCI

版画是一种历史悠久的艺术，但相较于雕塑、建筑和壁画等艺术类型而言，却是一种年轻的现代艺术。版画产生于印刷，在造纸术发明之前，就存在多种捺印在不同媒介上的原始版画形式，但严格意义上的版画则出现在印刷术和造纸术发明之后。这两项重要的发明是中国人带给全世界的礼物，正是因此，图像才得以批量复制在轻便的纸张上，而出版，即作品面向社会和大众公开的行为，则使得视觉图像能够在全世界广泛旅行。作为最早的全球性艺术，版画不仅让身处不同地区的人们能够分享相同的图像，甚至改变了人们理解信仰、思想、政治、战争、革命、生活、感情与艺术自身，以及观看世界的基本方式。

Printmaking is a kind of art with a long history. However, compared with other artistic forms such as sculpture, architecture and fresco, it is a young and modern art. Originating from printing, it existed on different media in its primitive form before the papermaking technology was invented. In the strict sense, however, printmaking appeared after the invention of printing technology and papermaking technology which were the gifts of China to the whole world. Thanks to the two inventions, images could be duplicated on light paper by the thousands. Publishing, an act of having works open to the society and the public, allows visual images to travel around the world. As the earliest global art, printmaking not only allowed people at different regions to share the same images, but also changed the basic ways of people to understand the faith, ideology, politics, war, revolution, life, emotion and art itself, and to view the world.

版画在中国的历史比西方更长，但版画在整个社会的全面繁荣却令人惊讶地出现在同一时期，中国的明代中后期和欧洲的文艺复兴中后期。造成这一“巧合”的原因是，当时东方和西方的社会经济都在快速发展，市民阶层日益庞大，大众对文化的需求因此急剧增长，并带来了图像消费的迅速攀升。版画创作恰逢其时地提供了产品，而出版发行则志同道合地提供了渠道。与油画和雕塑的创作相比，版画的绘制、雕刻、印刷、出版和销售的紧密关系更全面和深刻地反映了社会分工合作的发达。它们共同缔造出来的新艺术不仅满足了消费需求，也反映了消费需求，对研究普通社会和大众文化有着不可比拟的价值。

Printmaking has a longer history in China than it does in the West, but flourished in the whole society amazingly at the same time: about the middle and later periods of the Ming Dynasty in China, and the middle and later periods of the Renaissance in Europe. The reason for such “coincidence” lies in the rapid development of social economy both in the East and in the West. The expanding citizen stratum and their increasing needs for culture caused the consumption of images to soar. Just under such circumstance, the printmaking industry provided products, while the publishing industry provided a channel. Compared with the creation of oil painting and sculpture, the close ties among the drawing, engraving, printing, publishing and sales of prints more comprehensively and more deeply reflected a highly-developed division of labor. Thanks to the collaboration of these links, a new art form was created, which not only met the consumption needs but also reflected the consumption needs. It was of incomparable value for us to study the common society and the public culture.

本次展览聚焦于版画与出版的关系，不仅将为观众们带来欧洲的丢勒、伦勃朗、威廉.霍加斯、戈雅、珂勒惠支、米罗、安迪.沃霍尔，日本的葛饰北斋、今尾景年，中国的彦涵、力群、杨涵、李少言、朱宣咸、李平凡、徐冰等版画大师的原作，还将通过实物提示大家，版画不仅是一种艺术，存在着绘画一样的单幅画面形式，更存在拓片、文学插图、画册、画谱、墨谱、笺谱、无字小说、连环图画、艺术家之书、藏书票、扑克牌、酒令牌、图书、画报等极为多样的创作、编辑和出版形式。我们也许已经习惯于仅仅将版画看作一种独特的艺术媒介，但从出版的角度看，版画具有较此远为丰富和迷人的面容。

Focusing on the relationship between printmaking and publishing, this Exhibition will bring visitors the original works of those well-known printmaking masters such as Albrecht Dürer, Rembrandt, William Hogarth, Francisco Goya, Käthe Kollwitz, Joan Miró and Andy Warhol from Europe, Katsushika Hokusai and Keinen Imao from Japan, and Yan Han, Li Qun, Yang Han, Li Shaoyan, Zhu Xuanxian, Li Pingfan and Xu Bing from China. During this Exhibition, we will also show through material object that printmaking is a kind of art with not only the monoprint form just like painting but also a diversity of creation, editing and publishing forms like rubbings, illustrations, album, picture copybook, ink genealogy, letter paper booklet, unlettered novel, picture-story book, Artist’s Book, ex libris, playing card, wine token, book, illustrated magazine and so on. Maybe we have got used to taking printmaking as a unique art medium only, but from the publishing perspective, it has far more diversified and charming looks.

策展人：盛葳 康剑飞

Curators: Sheng Wei and Kang Jianfei

东汉龙纹画像砖，砖出浙江省绍兴市上虞。

Dragon Design Relief Portrait Brick of the East Han Dynasty,  From Shangyu, Shaoxing, Zhejiang Province.

《纽伦堡编年史》散页

Book of Chronicles (separate sheet)

赫尔曼·谢德

Hartmann Schedel

1493年

《三才图会》散页

Collected Illustrations of the Three Realms

王圻,王思义(明)

Wang Qi and Wang Siyi (Ming Dynasty)

《启示录》之《巴比伦妓女》

 The Whore of Babylon (Apocalypse)

阿尔布雷特·丢勒

Albrecht Dürer

1496

《启示录》之《圣约翰噬书》

Saint John Devouring the Book(Apocalypse)

阿尔布雷特·丢勒

Albrecht Dürer

1498

《普罗克瑞斯之死》

The Death of Procris 

乔治.吉西

Giorgio Ghisi

1540

《亚伯拉罕和以撒》

Abraham with his Son Isaac

伦勃朗

Rembrandt

1645

富岳三十六景—凯风快晴

Thirty-six Views of Mount Fuji—Fine Wind, Clear Morning

葛饰北斋

Katsushika Hokusai

1831

《明闵齐伋辑刻〈会真六幻〉》附闵刻《西厢记》彩图

the Six Illusions of Reality engraved by (Ming Dynasty) Min Qiji attached with color illustrations of the Romance of the Western Chamber

闵齐伋（明）

Min Qiji (Ming Dynasty)

《奇想集》散页

The Caprices (separate sheet)

弗朗西斯科 · 戈雅

Francisco Goya

1796-1798

马戏团女王

A Circus Queen

弗朗西斯科 · 戈雅

Francisco Goya

1877

《农民战争系列：冲锋》

Peasants' War Series: Outbreak

凯绥·柯勒惠支

Käthe Kollwitz

1902

《农民战争系列：耕田的人》

Peasants' War Series: the Plowmen

凯绥·柯勒惠支

Käthe Kollwitz

1907

诗配画手工书《自言自语》

Handmade Book of Poems with Pictures: Soliloquy

胡安·米罗

Joan Miró

1950

点石斋画报之《桃树秋华》

Splendid Autumn of Peach Tree, Part of Dianshizhai Pictorial

《生活》杂志刊载《鲁艺木刻选》

Selected Woodcuts by Luxun Academy of Art, published in Life magazine.

 1945

玛丽莲·梦露

　Marilyn Monroe

安迪沃霍尔

Andy Warhol

1962

我的九二年的书

My Book of 1992

徐冰

Xu Bing

1992-1998

纸上河流，诗配画 北岛 《在路上》

Rivers on Paper, poem with painting. Bei Dao's On the Road

广军

Guang Jun

2013

藏书票《夜行的读书人》

Reader at Night Walk (Ex libris)

 弗瑞兹·内托尔

Fritz Nettel

1910

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