「绘画艺术的理性与情感」廖建华-“迹象”纯化

Original Dudu Du Laboratory 2023-05-03

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『绘画艺术中的理性与情感』是Du/laboratory以主题性策划发布的一个推送。我们邀请艺术家分享他们的艺术实践。Du/laboratory后续会发布不同主题性推荐。

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艺术家：廖建华

2011年《有意无意》廖建华个展现场龙德轩当代艺术中心

《无意图》系列1203 布面丙烯铅笔 2012年100X100CM

从早期的浓淡不等的密集小蝌蚪结构画面，到后来淡若水痕的中锋笔道道，间或又有汉字的隐现重叠，再到近来密布的线阵排列。艺术家廖建华总是游走在淡定悠然的痕迹之美中，我们称他的作品为“抽象”中的“迹象”纯化。

他的作品，貌虽繁密，实则至简。其中的意蕴是一些些某种很难下定义的东西。他以平淡的语言突出了缺少特点和征兆的“素”与“朴”，似乎在用此描绘那不可描绘的东西。此“迹象”无实底，却又构意发蒙，意味深长。

在他的系列作品的每个时期，宁静的“湍流体验”是一直相伴的，这种原发的生命体验本身的趋动态势，构成着他的领会与表达。即如他自己所言：“本质性笔道道，一方面暗示着生命的脉动，一方面透露出时间和存在的消息”。这是一种生命冲动力的“朝向”和“指引”。于是，他用极繁又至简的形式结构，创造出了一种独特的“迹象世界”。暗含着虚无恬惔的纯素之道。

鲍智明

《无意图》系列1202 布面丙烯水墨 2012年100X100CM

Artist, Liao Jianhua, from his early stage of using different shades of tadpoles composition to misty flow marks created by Chinese brushstroke; in between, you can see overlapping Chinese characters surfaced and in recent creation, the use of dense array lines arrangement shows his love towards exploration of the beauty and tranquility of traces and marks. This passion shown in his works we identified it as the “Zen of Induction Abstraction”. In his works, you can see the use of simple marks and traces to create the dense and complicated appearance, whereby the implication are more abstract and difficult to define. The interesting usage of simple and plain language to highlight the absent of evolving characteristics of plain and simplicity, to show and express things which people have difficulty expressing. The series of “INDICATION” seems very abstract, yet fill with unlimited meaning and creativity. During the period of his creation of a new series, he always experiences what he called the "quite turbulence”. This “quite turbulence” feeling came basically from his life experience which forms his characteristic and style of creation. Like what he mention himself, “The type of creation came from an artist brush is link to the heart and soul of the artist, in a certain aspect revealing the life of artist and also the timeline and information of the era.” This basis is due to the guide and direction creates by the impulse of life. As so, using complex but simple way as the basic structure, he produce in his creation plain and nothingness which structure his own “Indication World”.

By Bao Zhiming

《无意图》系列1208 布面丙烯 2012年 120X150CM

《无意图》系列1210 布面丙烯 2012年 250X150CM

《无意图》系列1212 布面丙烯 2012年 250X150CM

《无意图》系列1300 布面丙烯 2013年 250X150CM

作为一名年轻的在京艺术家，廖建华已经创作了一系列引人注目的作品，这些作品在喜爱当代抽象艺术的观众中引起了共鸣。当然，看到他的作品，我们会不可避免地将他的艺术与西方抽象传统进行比较，但在目前情况下，似乎仅欣赏艺术本身更为明智，而非随意强拉进一种不知有否影响到艺术家的传统。廖的作品几乎是无止境的重复，他那用丙烯或彩色铅笔重复描画的笔触，使得作品内容密集，令人震惊。从远处看，他的细微笔触融合成一种氤氲的色彩，但当我们走近细看，单个笔触又清晰可辨，展现出这样一位年轻艺术家不寻常的风格。置身于这种飘渺的氛围中，我们必须定睛细看才不觉得有点晕眩。当廖的系列作品完美地呈现在一个空间时，它们便展现了艺术家无边限的表达，每件作品相互联系而又彼此独立。有时，作品的总体形式易于辨认，如《思空图》（2009年）中重复的蓝色圆圈便构成了画面的主体，鲜明清晰。

当然，《思空图》的标题具有佛教“冥想”的内涵。作为一个整体，该系列作品可被视为艺术家对色彩的延伸冥想。廖的风格既独立又让人联想到纽约画派的色域画家们，但他很可能并没有接触过这些艺术家。廖始终如一，按照自己的方式前行，创造出一种使微妙色调自行去探索的绘画，颜料或铅笔笔触自为中心，是那么无私，不带任何个性表达。《无限之线》（2008年）向我们展示了做为和谐整体、如此简单延续的一行行笔触，竟能营造一种勇敢新世界的奇妙效果。氛围是他所有作品的灵魂，他的铅笔笔触似乎在构建一种新的无穷，而这要求一位艺术家必须完全投身体验它的无穷无尽。在当下中国，抽象艺术仍然屈居于社会导向型的具象艺术之后。然而像廖建华这样的艺术家却在证明，抽象导向型的艺术是有发展空间的，其方向便是极致的冥想。事实上，使人惊奇的是，《无限之线》中的彩色线条引人进入的却是空间的主题。

事实上，观看廖的作品能清晰地了解到，他的作品并非只是形式上的重复，它也把观者带进了一个冥想空间。这些作品在脑中回荡，产生了无穷广域的振幅，从而引发观者的思考。这种艺术所带来的主要效果，是它在观者脑中所引起的反应。他的作品有助于帮助人们集中注意力，最终过滤掉个人自我。在另一幅题为《无限之线》（2009年）的作品中，水平的鲜红笔触创造出一个漂亮醒目的图案，在如此美丽的作品中表达出了无限——事实上，它是如此美丽，任何文字描述似乎都会减弱我们对它的理解。当然，我们对无限世界的体验也应该是无边限的;在这幅作品中，我们感觉线条似乎会永远持续不断，只是作品边框给它做了一个表面上的终结。廖的作品向我们展示了如何在这样庞杂多变的世界中集中心力。通过重复的笔触，他形成了对于这个统一却具有无限意蕴的环境的观念。他逐步构建形象，一行一行笔触地描画，恒定坚持。他对作品命名所暗含的庞大观念清楚地表明，他的艺术注重的并非结果，而是过程。只有了解了他的这种理念，我们才能真正理解他的作品。

乔纳森·古德曼

无意图20181108 纸本水墨 2018年 45x200cmX4

梦精记系列0508 纸本水墨 2005年 69x248cm

梦精记系列0508（局部）纸本水墨 2005年

梦精记系列 0606 纸本水墨 2006年 69x248cm

Liao Jian Hua is a young Beijing painter who already makes compelling compositions that resonate for anyone interested in experiencing abstract contemporary art. Of course, on seeing his work, there is the inevitable comparison of his art with the Western abstract inheritance, but at this point in time, it seems wiser to appreciate the art for what it is, rather than arbitrarily assign a legacy that may—or may not—have influenced the artist. Liao works with nearly endless repetition, reiterating the stroke in acrylic or colored pencil, to the point where the paintings possess a stunningly dense composition. At a distance his small marks merge into vaporous color, but then, when the viewer has advanced to a closer point of view, the individual strokes come into recognition. They reveal an unusual discipline of style in so young an artist. A misty atmosphere is generated; one has to look closely not to feel a bit light-headed. Together, placed in a good installation in the gallery, Liao’s efforts work as a seamless expression, with each composition both connected to and separate from one another. Sometimes the overall pattern is recognizable, as occurs in Empty Your Mind (2009), in which blue repetitive circles make their presence noticed as a major aspect of the painting.

Of course, the title Empty Your Mind has Buddhist contemplative connotations, and as a group, the works can be seen as an extended meditation on color. Liao’s style is both independent and reminiscent of the color field painters of the New York School—but they are artists he likely has not seen in real life. Consistently, he has moved according to his own fashion, creating paintings whose subtle hues become the focus of their own investigation; the paint or the pencil marks center upon themselves in a style that appears to be selfless, devoid of personality. Infinite Lines(2008) shows us how the simple continuation of individual rows of strokes,

accepted in their entirety, have the marvelous effect of a brave new world. Atmosphere is central to all his compositions, and it seems as if the pencil marks are constructing a new kind of infinity, into which one must plunge entirely to experience its endlessness. In China today, abstraction still takes a back seat to figurative, socially oriented art, but a painter such as Liao is proving that there is room for an abstractly oriented art whose orientation is contemplative in the extreme. Indeed, the consequences of colored lines in Infinite Lines are, surprisingly enough, oriented toward spatial themes.

In fact, seeing a painting by Liao makes it clear that the experience is not only formal and repetitive, it is also a matter of meditative space. The paintings reverberate in mind, creating a place of endless amplitude, conducive to thought. This is a kind of art in which much of its effect has to do with what happens in the minds of Liao’s audience—the paintings are useful aids to a concentrated focus, one dedicated to the loss of individual self. In another painting, entitled Infinite Lines (2009), horizontal rows of bright red strokes create an eye-catching pattern that intimates limitlessness in a notably beautiful composition—actually, it is so beautiful, its description in words seems to lessen our understanding of it. Of course, one’s experience of an infinite world should be seamless; in this painting, we feel as though the lines continue forever, only superficially ended by the painting’s frame. Liao’s work shows us how to concentrate in a world of myriad variety—by repeating the stroke, he completes his perception of a unified environment of immense implications. He builds the image slowly, moving from row to row of strokes in a discipline of constant effort. The enormous perceptions he suggests in his choice of titles make it clear that his art is a process more than a product. We should pay attention to the insight.

Jonathan Goodman

无意图20211106 纸本双面水墨 2021年 69x138cm

无意图20210616 纸本双面水墨 2021年 69x138cm

无意图九联画纸本水墨 2007年 45x600cmX9

无意图九联画（局部）纸本水墨 2007年

《无意图》纸本水墨 97X1000CM 2020年

《无意图》局部纸本水墨

《无意图》2021年展览现场《存在》山中天艺术中心

廖建华

在我的作品里面时间性与个人意志力显得极为的重要。我的艺术注重的并非结果，而是过程。作品通过自身长时间的繁复劳作行为来进行创作。密集时间的累积，顽强而持续的意志力以及平和的心态贯穿着我所有创作的始终。这种个人苦修般的创作体验呈现了如何在这样庞杂多变的世界中集中心力。完成了对时间与生命对话。也透露出个体存在的消息与可能性。作品试图表达有序与无序，无限与有限，限制与自由，过程与结果，平静与不安之间的共存关系。

廖建华 1981 出生于湖南,现工作生活于北京。

部分个展：

2017 “ 有始有终”廖建华个展重庆长江当代美术馆重庆，中国

2016 “一分钱交换计划”廖建华个展东篱艺术中心北京，中国

2015 “无限有限”廖建华个展艺琅国际北京，中国

2013 “心相”廖建华个展 egg画廊北京，中国

2011 “有意无意”廖建华作品展龙德轩当代艺术中心北京，中国

2009廖建华首次个展 “思空图” Y2ARTS Showroom 新加坡

部分联展：

2021 存在山中天艺术中心北京，中国

2021 没有人比我更懂至美术馆深圳，中国

2020 聚元气十竹斋艺术中心北京，中国

2019 微妙关系山海美术馆北京，中国

2018 中国当代艺术年鉴展2017 北京民生现代美术馆北京，中国

2017 悬而未决扫一扫当代艺术展四川大学美术馆成都，中国

2017 中国特“色” 天铂当代艺术基金会新西兰

2017 视界抽象艺术的语汇四川省美术馆成都中国

2017 “极”来自中国的新艺术 The Page Gallery 首尔韩国

2016 “另一种选择 ”第三届今日文献展今日美术馆北京，中国

2016 我的艺术私藏比尔美术馆瑞士

2016 运行中的“非形象” 正观美术馆北京，中国

2016 假园今日美术馆北京，中国

2015 中国当代墨线艺术南京国际展览中心南京，中国

2015 中国式书写的维度波恩当代艺术馆波恩，德国

2014 抽象新一代寺上美术馆北京，中国

2014 香港巴塞尔艺术展尤伦斯当代艺术中心香港,中国

2013 反转基音唐人当代艺术中心北京，中国

2013 空相——当代艺术展民生艺术中心北京，中国

2013 “2013多样性”ARTrium@MCI Y2ARTS 新加坡

2013 拓•象北京空间画廊北京，中国

2012 “失忆招领处”年轻艺术家群展北京空间画廊北京，中国

2012 “中国制造”中国当代艺术家路家诺-贝纳通展米兰，意大利

2011 执着 ION Art Gallery 新加坡

Liao jianhua 1981 Born Hunan，Living and working in Beijing at present.

SoloExhibitions：

2017 “There Art Beginning And End” Liao Jianhua Solo Exhibition Changjiang Museum Of Conternporary Art Chongqing

2016 “One Cent Exchange Project” Liao Jianhua Solo Exhibition DongLi Art Space Beijing

2015 “ The limited-The limitless” Liao Jianhua Solo Exhibition ARTASTE Beijing

2013 Cardiogram-- Liao Jianhua Solo Exhibition Egg Gallery Beijing

2011 “Consciously Or Unconsciously” Liaojianhua Solo Exhibition LDX Conternporary Art Center Beijing

2009 LiaoJianhua First SoloExhibition09 “Contemplation Maps” Y2ARTSShowroom Singapore

Group Exhibitions：

2021 Existence Wind H Art Center Beijing

2021 Nobody Knows Better Than Me Zhi Art Museum Shenzhen

2020 “Vitality is Garthering” Shizhuzhai Art Center Beijing

2019 The Subtle Relationships Mountain & Sea Art Museum Beijing

2018 The Exhibition Of Annual Of Contemporary Art Of China Beijing Minsheng Art Museum Beijing

2017 Hang In Doubt Sao Yi Sao Contemporary Art Exhibition Art Museum of Sichuan University Cheng du

2017 Colours From China Templar Contemporary Art Foundation New Zealand

2017 Abstract Contemporary Art Exhibition Sichuan art museum Chendu

2017 Absoluteness New Art from China The Page Gallery Korea

2016 The Jumble Of Growth The Third Today’s Documents Today Art Museum Beijing

2016 My art possession CentrePasquArt Switzerland

2016 The Working of Non-Figurative System Right View Art Museum Beijing

2016 Artificial Garden Today Art Museum Beijing

2015 Contemporary China Ink Line Art Nanjing International Exhibition Center Nanjing

2015 Post-Calligraphy In Chinese Contemporary Art Kunstrum Villa Friede Germany

2014 New Generation Of Abstract Art Si Shang ArtMuseum Beijing

2014 Art Basel Hong Kong UCCA Hong Kong

2013 Anti-GMO Tang Conternporary Art Center Beijing

2013 A Surname——contemporary Exhibition Min ShengArt Club Beijing

2013 "DIVERSITY 2013", ARTrium@MCI Y2ARTS Singapore

2013 Impression•Image Gallery beijing Space Beijing

2012 “MemoryLost-andFound”young artists exhibition Gallery beijing Space Beijing

2012 Made in China Contemporary Chinese artists LucianoBenetton Collection Milano

2011 ″Presistent″ ION Art Gallery Singapore

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Du/Laboratory is a comprehensive experimental platform, involving creative media spanning all levels of contemporary art, maintaining a vigilance against the international contemporary art trend that airs everywhere, and at the same time committing to the full and in-depth excavation of the artist's own system, continuously Focus on practices that hover in the "middle state" on the fringes of art and non-art.

Du/Laboratory是一个综合性的试验平台，涉及的创作媒介跨越当代艺术的各个层面，对四处空降的国际化当代艺术潮流保持一种警惕性，同时致力于艺术家自身系统的充分、深入挖掘，持续关注徘徊在艺术和非艺术边缘“中间状态”的实践。

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